Tag Archives: female artist

ADVENT CALENDAR DAY 2

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A Christmas Carol

By Charles Dickens

Illustrations by Monica Marier

Stave One: Marley’s Ghost

Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge’s name was good upon ‘Change, for anything he chose to put his hand to.

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Old Marley was as dead as a door-nail.

Old Marley was as dead as a door-nail.

Mind! I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.

Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain. The mention of Marley’s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot — say Saint Paul’s Churchyard for instance — literally to astonish his son’s weak mind.

Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him.

Oh! But he was a tight-fisted hand at the grind- stone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dogdays; and didn’t thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, no wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often `came down’ handsomely, and Scrooge never did.

Nobody ever stopped him in the street to say, with gladsome looks, `My dear Scrooge, how are you? When will you come to see me?’ No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blind men’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, `No eye at all is better than an evil eye, dark master!’

But what did Scrooge care! It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call `nuts’ to Scrooge.

Once upon a time — of all the good days in the year, on Christmas Eve — old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement stones to warm them. The city clocks had only just gone three, but it was quite dark already — it had not been light all day — and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.

The door of Scrooge’s counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk’s fire was so very much smaller that it looked like one coal. But he couldn’t replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.

ADVENT CALENDAR DAY 1

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Okay, here we go!  I’m going to embark on a project I’ve wanted to do for years. Just for you, my friends, this Holiday Season, I present to you: an illustrated Christmas Carol. Everyday until Christmas Day (when—fingers crossed!—I’ll put it all together) there will be a new fantasy-themed illustration and a section of text from Charles Dickens’ most famous work. I hope you enjoy it. Here’s today’s art: the cover.

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Coming Soon!!!….

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Okay, so I’m going to try something really crazy and something I probably should have put a LOT more planning into, but what the hell—I’m going to try it anyway!

I want to give you all a present this Season. And I mean EVERYONE.

I thought about doing more holiday cards, but this is kind of the next step up, so I hope this will excuse my lack of mail this year, because ALL of my effort is going to go into this.

Fingers crossed everyone and wish me the best. This is a project that was 12 years in the dreaming, that I’m FINALLY going to do. I’m so freaking excited! It launches December 1st and will keep right on rolling until the 25th so be sure to check in every day!

Love you guys! ❤

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Okay, so maaaaaaaybe I’m in over my head.

Why I stand with Revolva

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This morning someone posted this on my wall: it’s an article from Revolva’s blog, where the contortionist was contacted by Oprah’s people to perform as a side act for the “Oprah’s The Life You Want Weekend” that would draw people from all over the country with its $99-$999 tickets. Only one caveat… they didn’t want to pay her. You can read the whole account here.

A few people commented that Revolva’s response was just a temper tantrum—a beat-scene avant garde complaining when  the honor of performing for Oprah should have been enough. That this could have been a huge opportunity for her. That she was lucky to be contacted with such a huge queue of people dying to get in. That this article was simply because she felt slighted.

I saw red for a moment and then in a frenzy of rage-fueled justice I wrote this in reaction to the people who took Oprah’s side.

Revolva’s not “feeling slighted” by Oprah’s company and she makes a good point. This is about a billionaire empire that is trying to stiff a hardworking woman.

Did her booking agent get paid? Yes. Did the venue get paid? Yes. Did the roadies, the techies, the caterers, the marketers, the transport, the hair, the makeup, the wardrobe, and everyone else it took to make that show get paid? Would the show be the same if there was no one to light the stages, or put them up, or to coordinate everything? Of course not ! They’re valuable people.

So, don’t you think the people on those stages deserve the same professional courtesy as a roadie or a techie? Doesn’t she deserve to be able to pay her rent and buy food like everyone else? 

She wasn’t “slighted” by OprahCorp. A billionaire wanted services from her and thought that her services were less important than her hair and makeup. That she was less important than the people who light the stage. That she was worthless, or at the most only worth the toll for the bay bridge.

That’s what it’s like to be an artist today. We’re always supposed to be grateful to be chosen. We’re supposed to feel lucky that we’re gifted. We’re supposed to share our gift with the world… only we’re not allowed to ask for money for it. The “glory” is supposed to be enough.

And there’s very little of that too.

*mic drop*

Hell is in the Details

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It’s NaNoWriMo time!

It’s been almost 2 weeks now since I started on this year’s NaNoWriMo. I’m busy working on a prequel to the Linus Saga, in which we get to meet young(er) Linus as he meets Deirdre for the first time. I’ve been doing NaNoWriMo’s since ’08 and it’s consistently how I get most of my writing work done.

But I get distracted, hell everyone does, but my worst foible is research. I LOVE research. I’m an absolute Hermione when it comes to getting all the facts and trying to magick up my own rules for my world. It’s led me down a few rabbit holes like the article hole, the Wikipedia hole, and the ever dreaded Elven Dictionary hole (although that one’s probably just me.)

Case in point, today I have spent an hour trying to research poop. That’s right. POOP.

I need to know how Dragons poop. Do they have pellets like raptors? Do they grind things up with gastroliths or maybe their bodies make their own calculi? Do their bodies do something incredible with the parts they can’t digest like fossilize them or do they incinerate the their waste in their own furnaces? How does that work?

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This doesn’t exist apparently.

Will all of this make my book all that better? Who can say? Who all out there is interested in how Dragons poop? If only one person is nodding right now, then congratulations. You’re the reason I’m looking up bezoars and mineralization. I’m doing this for you.

Okay, I got to get back to it now. I’m about 200 words away from hitting 20,000. Good luck to everyone else out there doing this! And good luck staying out of the rabbit holes!

~Monica

Inktober Finale

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As hard as it was to keep up with this challenge, I’m a little sorry to see Inktober go. It’s made me hone my skills, challenge my abilities, discipline myself, and put my neck out a little as I delved into what I wanted to do, what I hoped to do, and what I never dreamed of doing.

The latter is my final farewell piece. The rough blocking for this had been penciled on my sketchbook for over a year, and I’ve never had the courage to finish the pencils and ink it. I’m a little nervous about how it came out, but I’m proud of myself for trying. Here it is, Mickey Mouse in… DRACULA

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MICKEY MOUSE in DRACULA by Monica Marier, Fan piece only, not for sale.

This brain child came out a while ago while I was reading Dracula and for some reason Van Helsing (who up to now was always Mel Brooks in my head) kept sounding like Ludwig Von Drake. It wouldn’t stop, either, the whole time my head kept ringing with voice of the adorable duck professor (Don’t cha know).

My thoughts began to spiral out of control as a larger cast of characters began to build in my head in a Rated G version of the classic monster movie: Micky and Minnie as the Harkers, Donald and Daisy as Arthur and the unfortunate Lucy. Then Goofy and Pete cast themselves as Doctor Seward and QUincy Morris respectively. I even finally got around to a Renfield (Mr. Toad). But Dracula refused to be cast. He was just… Dracula… a cartoon version of the dark Bela Lugosi, or else in shadow like some Ghost of Christmas Future. Elegant and otherworldly and utterly not of the friendly world of Mickey Mouse.

So, that concludes this year’s Inktober. I’ll definitely do this again next year! Hope you enjoyed it as much as I did.

Good luck to all the nanowrimo people tomorrow as we line up for the starting pistol.

HAPPY HALLOWEEN!

Inktober 30

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This 30-day horror movie challenge is starting to get to me. Guess what I’ve been watching lately? (heh)

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Vengeful Ghost by Monica Marier

Tomorrow will be the last day of this Challenge, giving way to NaNoWriMo. And I’ve decided in the vein of inktober, I’m going to try to post my “writing thought of the day,” on the blog. This will be part of the November countdown to the launch of my next book, “No Shoes No Service,” and include tips, observations and a lot of whining, as well as sneak peaks, sketches and teasers for my upcoming book. It’s book 3 in the Linus Saga, so I’ll also be constantly reminding you that the first 2 books, Must Love Dragons, and Runs in Good Condition can be purchased through Hunt Press or on Amazon.

Inktober 29

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Nerdasaurus Rex by Monica Marier $20

Here’s today’s inktober. Tonight was Jack-o-lantern night, so I’ve been running around like crazy. It’s a quick sketch of a nerdy T-rex having an asthma attack. The short arm joke has been done to death, but this image popped into my head and made me giggle. Must be my asthma cutting off my air again. (heh) Laters!

Inktober 28

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We’re in the home stretch! And right now I’m busy as hell working on Halloween costumes, so much so, that I could think of little else to draw today. This here is Pendleton Ward’s Fionna and Cake from Adventure Time. Which I usually love but right now I hate because needles and patterns. I particularly hate Cake right now, because I’m making a Cake doll with about 13 separate pieces. Also, I realized that she doesn’t look much like a cat because her character design has no whiskers!

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Fionna & Cake by Monica Marier

That’s it for today! Back to the costume! *groan*

Inktober Day 27

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A bit of nostalgia for today. Growing up, one of my favorite movies (and one of my brothers’ favorite movies) was The Goonies. It introduced me to my love of pirates, treasure hunts, and adventures (and Cyndi Lauper). So, with no further elaboration, here are the boys.

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Goonies Never Say Die by Monica Marier 2014

I think this came out beyond my expectations. I think it helps that I can recall these guys’ faces almost from memory. I might end up making coloured prints of this. 🙂